Monday, August 30, 2010

Characterization

I was once told by a writing advice book that to make readers remember your characters well, give them some kind of odd or different aspect. For instance, give your main character a calcium deposit in an odd place. Or make them have a habit of always picking wax out of their ears and wiping it on other people.

This is one way of doing it, but since then, I've written over 250,000 words on several different stories, and I think there's a better way to make characters seem alive.

The character needs to be both the same and different on the inside, not just in their physical mannerisms or appearance.

Making a character the same as the reader in their beliefs, values, ideas, thought process, etc. will draw the attention of the reader. They will relate to the character.
But making the character different in some ways from the reader will make the reader even more interested.

Remember, these are the opinions of an unpublished writer. I hope my characters are memorable, relatable, and interesting.

On another note, I'm currently reading a book about characterization written by a psychology expert. The book suggests that the writer needs to get in touch with his/herself before they can write deep characters.

Is this true? What do you think?

Monday, August 23, 2010

Back from the Honeymoon

Hey all.
Sorry there was no post last week. I was on my honeymoon.

Since I didn't have time to come up with a post, I have another question for you. But don't worry. I'm going to be putting together a post about characterization soon.

Question:
Are you planning on participating in NaNoWriMo this year? If so, what will you be working on?

Tuesday, August 10, 2010

Question for you

Hey all.

No post this week, just a question.

What do you think about sequels? Should they be written? What about trilogies, or a series?
Do you think the general public is getting tired of multiple books of the same story, or do they love to read on and on about the same characters/setting/storyline?

Monday, August 2, 2010

Villains, anyone? (And contest alert.)

As a Christian, is it ok to purposefully try to scare people by writing an evil villain?

Is it ok to use nasty things like murder and blood to make my villain more realistic?

I have a villain who starts out as an ok guy, but changes to a really bad guy. And he thinks he's justified in doing so. If he were a real character, he would be doing things far more dark and evil than I currently 'show'.

I could just tell the reader what he does instead of showing it. But then how do I make him an accurate villain without getting a slap on the wrist for "showing and not telling"? That's supposed to be a cardinal rule, right?

And also, isn't authenticity a must? Shouldn't my characters stay true to how I've written them? That's the best way to make writing good, and I'm striving to make my writing good to give glory to God.

Sometimes I wonder, when I hear other Christians talk about books and say "Oh, that was my favorite villain!" if they would feel comfortable putting their name as author on a book with such a villain. Do we all just enjoy the evil people in fiction that others create and refuse to make them ourselves because WE have morals? (If so, that's quite hypocritical.)

Hannibal, Iago, Jadis, Saruman, Cruella de Ville........
Which level of evil is appropriate to show?

(I listed Saruman and not Sauron because it feels like in the books we never actually get to interact with Sauron as much as Saruman.)

Even if it was totally ok for me to write my villain as evil as evil can be, do I want to? Even if I kept my character true to himself, would people really want to read about all that? Would I? I'm not even sure if I want to write it, let alone if I should.

And yet, am I denying my writing something that is essential to the story? At the risk of putting ammunition into the hands of everyone I once had an apologetic* argument with, every book needs a villain. It's a necessary evil.

*Apologetics: The art or act of defending what one believes, in this case, the intellectual defense of the Christian faith.

Contest Alert!!!

Possible prizes:

  • A copy of Hannah Moskowitz's book: Break
  • An ARC copy of Lisa Desrocher's book: Personal Demons
  • A query or first five pages critique from Fine Print Lit's intern, Gemma Cooper
  • A query or first five pages critique from Janet Reid's assistant, Meredith Barnes
  • A query or first five pages critique from agent Suzie Townsend
  • A query or first five pages critique from editor Brendan Deneen
First winner gets first pick. Plus they're having a new interview/awesome post every day this week. Contest closes Sunday. Go to it!

Monday, July 26, 2010

In the future, all writers will be changelings...

From a writer's perspective who has yet to be published:

I'm really glad my book is no where near ready to start seeking publication. Hopefully by the time I'm done with it, all these crazy changes will have smoothed out somewhat.

To use an extended metaphor...

In World of Warcraft, there's a certain type of character you can play that's called a Druid.
There are also three different roles you can fill when playing with a group: Tank, Heal, or Damage.

A druid can change into different animals on a whim, lending itself to the best, all-around character. It can be a Cat if the group needs someone to deal Damage. It can be a Bear if the group needs a Tank. And it can be a Tree if the group needs a Healer.

It can be any one role at any time.

In writing, there are different roles needing to be filled. You are usually working with a group of people 'cause getting a book published is a huge job. The roles of the group are: Publisher, Editor, Agent, Publicist, Cover Design, Writer, Buyer, Seller, Beta Readers, Copy Editors, and Blurb Writers.

That's a lot of rolls. And eBooks are changing which roles are filled by the writer and which are filled by the publisher.

Looking forward, I'm going to try to be as Druid-like as I can. I want to be ready to change into an agent if I end up having to contact publishing houses myself. I want to be ready to be a cover designer if I end up going with an online "Upload it yourself" eBook publisher. I want to ALWAYS be ready to be my own publicist and promote my own book.
I also need to be ready to treat my writing as if I'm a business owner. If I'm the one who ends up negotiating a deal instead of an agent, or if I'm the one doing my complicated taxes, arranging a book tour, etc., I need to think like an entrepreneur.

I'm a changeling!!!

Monday, July 19, 2010

At last!

Dear fellow writers,
I'm writing to tell you of something exciting I discovered about writing.

There is such a thing as the wonderful moment when you know your novel is just the way you want it to be and you can forge ahead clearly.

That day will come. It is possible.
Just wanted to let you know 'cause I didn't really believe in such a thing until this week.

Regards,
Reesha

Monday, July 12, 2010

Writing Myth #5

Writing Myth #5: Once I'm published, the book will do all the work from there.

I keep saying this, but I'm not published yet. I'm not ready to be. But I've already spent years writing. If you want to be technical about it, I really started writing in novel length manuscripts at the age of 7 or 8 (can't quite remember. I keep changing the age when I tell this story).

That's just a little under two decades that I've dreamed of being a published writer. Over fifteen years of writing. Though I don't know if what I wrote when I was 8 could be called writing. (Cringe. Cringe. Why do I keep that stuff around again?)

Anyways, my point is, by the time I get to a point where I'm ready to be published, and so is my work, I'll likely have spent many, many years working on it. That's a lot of time. Wouldn't it be nice if once I finally got there, I could just hand over my book to a publisher, and then sit back and be rewarded for all of that work?

But alas! It is not to be.

Publishers these days are looking for people who are willing to self-promote their own book. A LOT of book signings, promotions, social networking, contest running, and GETTING YOUR BOOK OUT THERE is what needs to happen in order for a book to become a success. Publishers are also more likely to sign on with an author if they already have a public platform from which to launch their own fame.

Yes, you might have put years of work into your book. But when it's done, you're going to have to put in even more work before it will start paying off.

This is why the pay off for most of us needs to come from the enjoyment of the craft itself. No, we are not desperate but happy writers who will scribble anything for free. But we are hard workers.

I think I need to go back on something I said last week.
Last week I said that all of the time us writers have carved out for our writing careers, before publication, can be spent in pure writing. But that's not entirely true.
If you're thinking of being published someday, it never hurts to begin building your public platform before you start seeking publication.
A few years ago when I began to learn about what it takes to get published, I got serious about building a platform. I joined Twitter, started several blogs, became more active on facebook, and reached out to every single writing blog I could get my hands on. It was thrilling and informative.

But I quickly found myself not having any time to actually write anything.

So I haven't done a very good job recently of building up my platform, getting to know people, and reaching out to others who might enjoy what I write. But I've chosen to do that on purpose until I get to a certain part in my writing where I know publication is going to come into the picture soon.

It's a balance.

Just make sure you love what you are writing enough to spend lots and lots of time with it, 'cause you're not just going to be writing it, you're also going to be reading it aloud to others, signing hundreds of copies of books (hopefully), and maybe even toting it around the country on a book tour. You won't just be handing it over to a book publisher and watching the royalties roll in. As always, you have to work hard for your book.